Field Notes

My practice is rooted in creating immersive narratives that shift between the seen and the felt. Working across mixed-media, installation, and performance, I examine the boundaries of presence, perception, and the spaces that lie between. Guided by non-essentialist feminism, my work seeks to critique and  create space for embodied reflection.

I build layered environments—combining tactile materials, ambient sound, and performative gestures—to invite participants into a personal yet collective experience. These works are not only viewed; they are inhabited. They provoke: How do we occupy space? How do we hold memory and history? What invisible structures shape our understanding of reality?

In creating, I'm drawn to tension—between vulnerability and protection, visibility and concealment—so that the viewer might negotiate their own place within the artwork. My installations act as frameworks through which emotional and conceptual mapping emerges: an invitation to pause, to sense, to question. Who am I? How do I fit here?

Ultimately, I aim for my art to be felt before it is understood—to leave a lingering curiosity, a moment of disquiet or recognition, and the awareness that each viewer carries a distinctly experience.